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Ergebnisse:
How was the Ukraine war addressed in children's programming around the world? TV executives and programme makers worldwide were asked how they had reacted to the Russian attack on Ukraine and if they had produced special programmes for children dealing with the topic. [2023]
Wayne, Michael L.: Uribe Sandoval, Ana C.: Netflix original series, global audiences and discourses of streaming success. [2023]
Yoshida, Maki: Representations of gender and sexual orientation over three editions of a Japanese language learning textbook series. [2023]
van Wichelen, Thalia: Dhoest, Alexander: Ticking off the (pink) diversity box? Production views on LGBT+ in children's fiction. [2023]
Goetz, Maya: Do men create different children’s television than women? [2023]
Baranowski, Genia: Speaking the truth without instilling fear. War in Ukraine: Perspectives and approaches to offerings in German children’s media. [2023]
Kempt, Hendrik: Nagel, Saskia K.: Fake News zwischen Freiheisrechten und Verantwortung. [2022]
Sakr, Naomi: Steemers, Jeanette: Children’s documentaries: distance and ethics in European storytelling about the wider world. [2022]
Newman, Nic: How publishers are learning to create and distribute news on TikTok. [2022]
Wunderlich, Leonie: Hoelig, Sascha: Social Media Content Creators aus Sicht ihrer jungen Follower. Eine qualitative Studie im Rahmen des Projekts #UseTheNews. [2022]
Wie wurde der Ukrainekrieg im Kinderprogramm weltweit thematisiert? [2022]
Cover, Rob: Making queer content visible: Approaches and assumptions of Australian film and television stakeholders working with LGBTQ+ content. [2022]
Zeng, Wenna: Chan, Kara: Heroism as narrative strategy: Children's animation and modernity in Chinese TV. [2021]
Holloway, Donell: Mascheroni, Giovanna: Donkin, Ashley: Parenting pedagogies in the marketing of children's apps. [2021]
Walczer, Jarrod: US-based toy unboxing production in children's culture. [2021]
Luenenborg, Margreth: Toepper, Claudia: Suna, Laura: Maier, Tanja: Affektive Medienpraktiken. Emotionen, Koerper, Zugehoerigkeiten im Reality TV. [2021]
Schmalfeldt, Thomas: Maurer, Bjoern: Kreativitaet in der informatischen Bildung. Bestandsaufnahme und Entwicklungsperspektiven. [2021]
Lauzen, Martha M.: The celluloid ceiling: Behind-the-scenes employment of women on the top U.S. films of 2020. [2021]
Stollfuss, Sven: The platformisation of public service broadcasting in Germany: The network "funk" and the case of Druck/Skam Germany. [2021]
Goetz, Maya: Erfinden Maenner anderes Kinderfernsehen als Frauen? [2021]
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